Bring your room into REW
Check the source rate. Values are not resampled. Each microphone position is exported separately without time shifts.
Fine-tune your Audyssey calibration, one speaker at a time.
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Ad placement · not connectedExplore a sample system, or open your own calibration.
Target curve adjustment
Work with the selected channel. Measurements stay untouched.
Imports become Audyssey target adjustments, not direct DSP filters. This does not reproduce the tutorial’s “perfect speaker” method or bypass Audyssey correction.
Check the source rate. Values are not resampled. Each microphone position is exported separately without time shifts.
Use relative dB around zero, not a measured SPL trace. Non-zero phase, binary .req and .mdat are not supported.
Peaking filters (PK), sampled at 48 kHz into a target adjustment curve. This is a magnitude approximation, not receiver biquad programming.
Positive = delay this channel more → decrease its distance setting. Negative = advance it → increase distance. Do not infer inter-channel timing from independently aligned peaks.
After editing, use Export .ady above. REW runs separately. Always review the result in MultEQ Editor; no automatic receiver upload or acoustic verification is performed here.
Export an .ady calibration from the Audyssey MultEQ Editor app and open it here.
Adjust points, try a curve, and set correction limits for each speaker.
Export a new file, import it in the MultEQ Editor app, then send it to your receiver. Keep your original backup.